Taking the Plunge

Collectors make a splash diving into history at Nation’s Attic annual summer spectacular.

Underwater exploration was just a fantasy until British brothers and inventors Charles and John Deane came along. After tinkering with the design of a smoke helmet they invented in 1823, they developed a diving helmet and successfully demonstrated it on a shipwreck six years later.

Improving the design further, British company Siebe Gorman became a world-renowned manufacturer of early diving helmets in the 1840s. The Royal Engineers recognized the potential of these helmets, and within a few years, the Royal Navy was taking them worldwide.

From there, an underwater industry was born of exploration and adventure, including pearl diving, treasure hunting, salvage, construction, repair, and oilfield diving.

1955 Northill air lung regulator.A 1955 Northill air lung bronze
double-hose regulator, $3,000.

After becoming technically obsolete, these brass and copper diving helmets are avidly collected today as historical relics and for their cool aesthetics.

International interest recently spiked when a helmet believed to be from the dawn of American professional diving around the 1860s sold for a record-setting $54,000 in January at Nation’s Attic, the world’s largest dealer of authentic antique diving helmets based in Wichita, Kansas.

At its “Diving Into History Auction” on Aug. 10, Nation’s Attic sold other record-breaking helmets, including the top lot: a uniquely designed 1960s helium diving helmet that sold for $20,400 against an estimate of $7,000 to $12,000.

Kirby Morgan signed helium diving helmet.Rare Kirby Morgan signed helium diving
helmet, Yokohama, Japan, c.1966, $20,400.

Arguably one of the most visually impressive and historically important styles of diving helmets ever conceived, this model KMHeH-2, or a Kirby Morgan helium helmet, was made by Yokohama of Japan in 1966. Originally conceived and developed by Bob Kirby and Bev Morgan, this innovative helium helmet was designed for the rigors of extremely deep-water dives, mainly for oil exploration.

c.1940s Italian Navy diving helmet made by Galeazzi.

A c.1940s Italian Navy diving
helmet made by Galeazzi, $18,000.

Bidders also pushed two other helmets to record-setting prices: A circa 1940s Italian Navy diving helmet made by Galeazzi that brought $18,000, shattering its presale estimate of $6,500-$8,500, and a beautifully preserved Oceaneering fiberglass helmet made by Bob Ratcliffe in the 1970s that fetched $13,200, setting a new auction record for the type.

Bob Ratcliffe fiberglass helmet.An Oceaneering fiberglass helmet
made by Bob Ratcliffe, 1970s, $13,200.

On average, the market for antique diving helmets has been in the $4,000 to $8,000 range, but the best-known diving helmets worldwide, the U.S. Navy Mark V, have commonly sold for $10,000 and more. Arguably the most iconic helmet design ever made, the Mark Vs. were used by the Navy from 1916 to 1984, and their timeless craftsmanship and history have made them one of the most coveted helmets among collectors worldwide. Bidders clamored after several offered in the auction, including the top seller: a Mark V made on June 6, 1944, commonly known as D-Day, that sold for $12,000. It was produced by the Diving Equipment & Salvage Company, one of the major manufacturers of these helmets.

US Navy Mark V diving helmet made on D-Day.US Navy Mark V diving helmet
made on D-Day, June 6, 1944, $12,000.

Another DESCO-made Mark V helmet from 1945 fetched $10,200, while a rare Miller Dunn Mark V helmet from 1944 sold for $9,900.

Diving helmet used in the salvage of the African Queen.Diving helmet used in the salvage
of the oil tanker African Queen, $13,200

Other highlights include a diving helmet used in the dramatic salvage of the 590-foot-long oil tanker African Queen, which ran aground in a storm at Gull Shoal off Ocean City, Maryland, in December 1958. That historic helmet sold for $13,200. A rare A.J. Morse & Son mechanical trigger release knife from 1917 and a World War II-era non-magnetic US Navy knife brought $4,800 each.

A.J. Morse & Son trigger release knife.Rare A.J. Morse & Son mechanical
trigger release knife, 1917, $4,800

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This measures approximately 10-1/2″ long.

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Army Surplus: Supply and Demand

By William Leslie

The end of World War II triggered the biggest yard sale in the history of the United States military, the likes of which had never been seen before—and probably will never be seen again.

During WWII, the U.S. spent $288 billion in 1940 dollars, equivalent to $6.5 trillion in 2024 dollars. By the end of WWII, much of that money was gone. It had been spent on bombs, on airplanes that had been shot down, on soldiers’ salaries, and aid to our Allies. However, some of the money had been spent on things that were still around: things like military bases, buildings, trucks, food supplies, and reportedly, hundreds of thousands of body bags that weren’t needed because of the abrupt end of the war in the Pacific. Some equipment, such as navy ships, could be mothballed.

Between 1945 and 1947, the U.S. military shrank by 87 percent, from 11.9 million servicemen to 1.6 million. Nevertheless, the war’s end triggered an enormous sale of surplus material at a magnitude never before seen—and probably never to be seen again.

The U.S. had learned from the previous war. After WWI, ships, airplanes, and large guns were mothballed for future military use, but most were obsolete long before the next war. Surplus sales after WWI, which had been at a small fraction of the original cost, had caused howls from Congress and the American public. To many in the military, it was better to do nothing than move quickly and look foolish, so sales did not proceed rapidly. The Navy and Army (and soon, the Air Force) were reluctant to identify surplus before they knew the size of their future authorized personnel, and Congress was slow to define the size of peacetime armed forces.

After a series of politically motivated fumbles, Congress created the Surplus Property Administration to manage the disposal of an estimated $90 billion of government property in more than 5,000 locations in every state and overseas. Perhaps 90 percent of those assets were in the 48 states. Many overseas assets weren’t included because they were needed to reconstruct war-torn countries or had little or no application for civilian use. Bombs, tanks, and some communications equipment couldn’t be sold to just anyone.

The list of items available for sale to the public would fill several phone books. Some examples included:

• 47 million yards of jute burlap strips – previously destined to become camouflage — in six colors, stored in 33 rail cars.
• A 300,000-square-foot manufacturing plant in Burlington, N.C., complete with an airport.
• A Navy landing craft, LCVP #C-9596, 36 feet long, in Attu, Alaska.
• 500,000 wristwatches
• 57,000 herringbone twill fatigue jackets
• Hundreds of Higgins boats
• Real estate that had held POW and Army training camps

Two Boeing B-17 Flying Fortress bombers in flight.

Two Boeing B-17 Flying Fortress bombers in flight. Photo: Getty Images

To limit the profits of businesses that participated in surplus sales, the government sometimes set a ceiling on the price at which goods could be retailed. For example, when the Army sold 4,000 rowboats designed for infantry assaults, it set a maximum retail price of $75. It’s unknown whether such controls were effective—but it seems unlikely.

The government didn’t have the time or the personnel to handle the retail sales of small quantities of goods. At first, most surplus sales were reserved for businesses, although this was later relaxed. That meant that an Army dentist, recently released from the service, couldn’t buy his dental equipment from the Army. He typically had to go to a wholesaler of dental equipment who had just purchased the surplus equipment. However, to help him with the purchase, GI loan programs would finance the equipment purchase to start a business. Items for personal use, such as vehicles, were typically sold at a predetermined price. Items intended for resale by businesses were sold based on a written bid.

Eleven designated districts were created, each serving multiple states. District 1, headquartered in Boston, handled assets in Connecticut, Maine, Massachusetts, New Hampshire, Vermont and Rhode Island. District 11, in Seattle, handled sales in Oregon, Montana, Idaho, and Washington State. Unfortunately, that meant that an ex-fighter pilot who traveled hundreds of miles to try to purchase a Piper Cub might be awarded a plane located 500 or more miles away.

Overseas assets had a different hierarchy of claims: First, overseas agencies of the federal government; second, reconstruction relief agencies, such as the UNRRA – the United Nations Relief and Rehabilitation Administration; third, U.S. veterans living overseas; and fourth, Allied governments. This meant that most vehicles in Europe at the war’s end were turned over to local governments to replace government vehicles destroyed in the war. This served to speed the recovery of a devastated Europe. The French postal service might request 1,000 jeeps for use by their postal service. The German forestry service could request 200 Dodge trucks to restore logging operations.

Sales of assets to other governments were problematic. In many cases, it was unclear who had the authority to decide for a particular city, state, or country. And if a foreign government wanted to buy, what currency was acceptable for payment? And what exchange rate would be used? Overseas sales resulted in some very bizarre results.

• The U.S. sold all of the assets in one European district to a local government for $400,000. That government immediately resold most of the assets to private sector companies, who shipped them to the U.S., selling them at huge profits.

• President Truman argued for faster surplus sales to restore foreign economies. Although $5 million in materials in Italy had been identified by the summer of 1945, just 10 percent had been designated suitable for sale to civilians, and little had been released.

• Espiritu Santo, an island in the South Pacific, was an enormous Allied base with as many as 40,000 soldiers and sailors and eight movie theaters. It was famously the home of VMF-214, the “Black Sheep” squadron. After the war, an attempt was made to sell hundreds of vehicles, thousands of pieces of equipment and mountains of building supplies to the local government, a joint venture between the French and the British. Their target buyer’s perception was that there was no way that the U.S. would ship the assets to another market, and they refused to negotiate a price. Frustrated, Navy Seabees built a ramp and dumped the surplus into the ocean. That place is now known as Million-Dollar Point and is a popular location for scuba divers, who find bulldozers, cranes, trucks, crates of clothing, and cases of Coca-Cola.

• There were 137 bombers and nine fighters that were interned by the Swiss during WWII and were sold to the Swiss for scrap.

• Hollywood stunt pilot Paul Mantz bought 475 bombers and fighters in the U.S. for $55,000, or $115.79 per airplane. He reportedly sold the fuel in the tanks for more than that and then sold airplane parts worldwide for years. Some parts were sold back to the U.S. military, which had misjudged their needs. Ultimately, he sold the rest as scrap metal for $160,000. Mantz died in a plane crash during filming of 1965’s The Flight of the Phoenix, starring Jimmy Stewart.

In 1946, Congress pivoted responsibility to another entity, the newly formed War Assets Administration. An estimated $28 billion in personal property suitable for sale to the private sector remained to be sold. A primary concern for Congress was to avoid the disruption of businesses that were returning to manufacturing products suitable for the private sector.

For example, in December 1945, surplus medical supplies were estimated to total 50 percent of annual U.S. production. Medical suppliers, who had worked so hard to support the war effort, were obviously sensitive to the timing and pricing of sales. To protect U.S. auto manufacturers, the trucks, jeeps, and motorcycles that had made their way to Europe would not be returned to the U.S. At least, that was the goal.

Camp Adair, Ore., was typical of the real estate to be sold. It included 89 square miles of land and 1,700 buildings. Adair was rapidly constructed in the year following the attack on Pearl Harbor as a training facility and briefly as a camp for German and Italian prisoners of war. Following the war, much of the land was repurchased by the farmers who had sold it to the Army just a few years before. Some buildings were sold for nominal prices and moved to other locations.

American Allies faced similar issues in dealing with surplus. In 1946, Cranfield Aeronautics College, located north of London, requested a modern aircraft with a hydraulic wing fold as a learning aid for its students. In 1963, students there decided to wheel their Corsair down to the local village pub under the cover of night. This naturally caused a buzz of amusement in the village, and the college set out to retrieve the bird with a tractor. Shortly after the incident, the plane was transferred to the Fleet Air Arm Museum in Yeovilton. It was the only survivor of around 2,000 of this plane type delivered to the British. The rest were scrapped. In 2000, restoration of the Corsair began, revealing layers of paint last seen in 1946.

What do you do with a surplus B-17 Flying Fortress from WWII? If you’re Art Lacey,
you use the hulking bomber as a tourist attraction for your service station in Milwaukie, Oregon, of course

And then there’s Art Lacey of Milwaukie, Ore., who in 1947 decided he needed a massive, decommissioned Boeing B-17 Flying Fortress atop his new 48-pump gas station.
Over 12,000 bombers were manufactured for the war, with 4,735 lost in battle. That left thousands of B-17s to be scrapped or sold to people like Art Lacey, who purchased a surplus bomber in Oklahoma. His B-17, dubbed “Lacey Lady,” became an instant tourist attraction and served as a service station canopy in Milwaukie, just a few miles south of Portland, for nearly 70 years.

Collectors Hit the Jackpot!

Slot machines worth the gamble for fans at the Potter & Potter coin-op event

Mills 1-cent Wizard Fortune Teller slot machine.Mills 1 Cent Wizard Fortune Teller, c. 1926, coin slot,
push-button on side activates inner reel that displays
fortune, 13 1/2 in. by 6 in. by 18 1/2 in., $2,040.

Las Vegas may be the gambling capital of the U.S., but the symbol of Sin City, the slot machine, was born in San Francisco when German inventor Gustav Schultze created the first nickel slot in 1893. Schultze’s slot was a Horseshoes game that paid customers two nickels if the wheel landed on one of 10 horseshoes, a free drink if it landed on a joker and nothing for the remaining 14 out of 25 symbols.

In 1894, Schultze’s friend, Charles Fey, made his own version of Horseshoes and his breakthrough game, the 4-11-44 1895. Built in his basement from wood, the first 4-11-44 was installed in a local saloon, and thanks to an enthusiastic response, Fey built several more. By 1896, Fey was manufacturing slots full-time, including the Card Bell in 1898. This was the first slot machine to automatically pay winnings to customers and ushered in the modern era of slot machines, which grew exponentially from there.

Crack-A-Jack 5-cent countertop slot machine.Rare 5 Cent “Crack-A-Jack” countertop Jackpot Machine by Clawson
Machine Co. of New Jersey, c.1910, 12 1/2 in. by 24 in., $1,000.

These mechanical marvels, known as one-armed bandits, have grown into prized collectibles for their history and the retro fun they add to a game room, living room, or man cave with their flashing lights and ringing bells. Non-working machines also make cool decorative objects.

Collectors hit the jackpot when Potter & Potter Auctions offered plenty of antique and vintage slot machines at its “Coin-Op & Advertising” sale on Sept. 12, along with arcade games, vintage vending machines, trade stimulators, and all kinds of coin-operated machines.

Watling 5-cent Operators Bell slot machine.Watling 5 Cent Operators Bell slot machine,
bell on payout, 24 in. by 14 in. by 13 in., $3,250.

The top-selling slot machine was a 5-cent Operators Bell slot machine by the Watling Company of Chicago, which sold for $3,250. With an original internal mechanism and a contemporary metal chrome body, the machine rings a bell on the payout.

Jenning Sun Chief 25-cent slot machineJennings Sun Chief 25 Cent slot The Sands, c.1950s,
brass Sun Chief ornament and cowboy marquee 35 in. tall, $2,750.

Antique slot machines were produced in various fun styles and themes that reflect their specific eras, including carnivals, casinos, castles, cigarettes, the Wild West, and World Fairs.
Many manufacturers made slot machines worldwide, and Watling was one of the four major American companies whose machines are the most commonly available today. The others include Bally of Nevada, Jennings & Company, and Mills Novelty Company, both in Chicago.

Mills 25-cent Roman Head slot machine.

Mills 25 Cent “Roman Head,” c.1910, 16 in. by 15 in. by 26 in., $1,680.

Slot machines made by Jennings and Mills were other big sellers bidders gambled on, including a Jennings Sun Chief 25 Cent The Sands, c. 1950s, with a light-up escalator bell, brass sun chief ornament on the front, and cowboy marquee on top, that sold for $2,750; a Mills 25 Cent “Roman Head” painted-metal machine, c. 1910, in a wooden cabinet on a wooden base that rang up $1,680; a Mills 5 Cent “Bonus Hightop” slot, c. 1937, with a painted cast aluminum cabinet on painted wooden base and “Bonus” jackpot feature that also fetched $1,680; and a Jennings 10 Cent Sun Chief chrome slot machine with a figural brass ornament and wood base that brought $1,560.

Red Art Deco Commet 10-cent slot machine.Red Art Deco Comet 10 Cent Slot Machine by Pace Mfg. Co.
of Chicago, 1936, 19 1/2 in. by 6 in. by 15 in., $1,080.

Authentic slot machines will have specific characteristics that collectors should look for: models made after World War II may have lighter-weight materials like aluminum, plastic, or wood; some slots were made from cast iron and are heavy; coin values of play range from nickels to quarters; and mechanical arms are traditionally attached on the right side.

Caille Bell Superior 10-cent slot machine.Caille Bell Superior 10 Cent Slot Machine by Caille Bros.
of Detroit, c.1928, 25 in. by 14 in. by 14 in., $1,140.

For more results, visit the website here.

Photos courtesy of Potter & Potter Auctions.

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This measures approximately 19.5 in. H x 8 in. W x 17 in. D.

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#whatsitwednesday 11-13-2024

23rd Street Antique Mall: Making it After All

By Sara Jordan-Heintz

Through perseverance and hard work, Bill and Denny McConnell of 23rd Street Antique Mall in Oklahoma City celebrate 35 years in business.

Denny and Bill McConnellBill and Denny McConnell of 23rd Street Antique Mall in Oklahoma City.

OKLAHOMA CITY — 23rd Street Antique Mall in Oklahoma City boasts an 11,000-square-foot showroom spotlighting the wares of more than 70 high-quality vendors who don’t sell anything more contemporary than the 1960s. Owners Bill and Denny McConnell, a dynamo husband and wife team, have 42 awards on display, touting their mall as the best place in town to shop for antiques. While their reputation draws buyers from all over the world, they don’t take success for granted, noting that their 35-year-old business was built the old-fashioned way, with sweat equity.

Bill spent years working for Lee Way Motor Freight Inc. unloading trucks. “The last few years I worked at Lee Way, we began to look around to see if there was something we could do to carve out some kind of financial future for ourselves,” Bill recalls. “Lee Way was a good job in a lot of ways, but it wasn’t something I could do all my life. It would break me down. So, we started buying some old rental properties and fixed them up, and began doing that, and thought that would be our key to future financial security.”

But in 1984, when the local real estate market went south, the couple lost it all. “We went to work for ourselves,” Bill says. “We called ourselves ‘The Odd Job Couple.’ We mowed lawns and painted houses and hung wallpaper and washed windows and hauled junk to the dump and struggled for about five years.”

Then fate intervened. The owner of May Antique Mall approached them about needing a manager. Would they be interested in coming aboard?

“I’ve always loved antiques. I was kind of a strange kid, I guess. My parents and siblings couldn’t have cared less about it, but I used to drag home all kinds of mostly junk,” Bill says. “At the time, I had a Big Chief tablet with over 300 things written on I was looking for. I’d ride my bicycle to our neighbors’ houses growing up in southern Oklahoma and show them my list and beg for things — actually got some pretty good things — but I never dreamed as a young person that I’d wind up in the business.”

AT 23rd Front Sunset

Denny said she didn’t know much about antiques before she and Bill wed 50 years ago, but she learned quickly when it became their livelihood. “The antique business was started in July 1989, but we purchased it in February 1992. We served as managers for the first two years,” Denny says. “We decided to create an antique venue that reflected a love of antiques, history and the spirit of community.”

In 1997, they decided to relocate and rename the business, transforming the old Adairs Tropical Cafeteria building into 23rd Street Antique Mall, named for the street it’s on. With no startup and no credit history, they secured a small business loan.

“The building was in terrible shape and had been vacant for over two years — broken windows and leaky roofs and transients living in the back, but our sons and friends and church members jumped in, and a lot of professionals too, some of our dealers, all kept us rehabbing,” Bill says.

Three months later, the store was up and running, with most of its dealers following them to the new place. Some are still with them today. Inventory spans the late 1700s through the 1950s, with everything from American Victorian furniture to vintage jewelry, Native American items, coins, antique guns, art glass, antique lighting, vintage toys, advertising signs, porcelain, pottery, and more.

One of the McConnells’ favorites: a Wells Fargo
model Wooton desk crafted from American walnut.

Up until a few years ago, the duo ran the place, which was open six days a week. Now, they have some part-time help, allowing the couple to take some time off. Being hands-on, they say, helped them cultivate a “hometown merchant” vibe where customers can also chat and enjoy a cup of coffee.

“After all these years, I still love going to work every day. I enjoy the antiques, enjoy the friends we make, and the people we meet. It’s a win-win for me,” Bill says.

A brush with Hollywood

Their 1948 Ford panel truck is an unofficial mascot used for filming a paddy wagon scene in the 2024 film Reagan. “We took the truck to Guthrie where they were shooting the movie to leave it for the week. They removed our 23rd Street logo and applied their ‘Los Angeles Police Department’ logo,” Denny recalls. “The day they were to shoot that part of the movie there was going to be a police chase, roll some cars and arrest some guys.I knew our young grandson and granddaughter would be out of school that day and would love to watch.”

However, production came to a halt due to the COVID-19 pandemic.

“So, we had to go get our truck back, remove their police logo and re-apply our 23rd Street logo. They said they might restart shooting in the spring. About a year later, we were contacted, and they were ready to start again. So, we took our panel truck back, they removed our logo and applied their logo again. Bill and I did get to see the day they did the scene our truck was in and it was great fun.”

Alas, the truck was shown only briefly in the film. Even so, movie buffs can own a piece of film history when shopping at the antique mall. Props from the 2023 film Killers of the Flower Moon are available. As Denny explains, one of their dealers provided items to the film crew that were purchased back once filming wrapped.

What’s hot, what’s not

The McConnells are big fans of Victorian-era furniture and décor, including Wave Crest glass and opaque white glassware. “My absolute favorite collection is our figural napkin rings, and they’re getting kind of difficult to find these days,” Denny says.

But Bill points out that tastes and trends evolve. In the 1980s, there was demand for Victorian-era items, but over time, there’s been less enthusiasm and lower asking prices. “For glassware and furniture, interest has gone down,” Bill notes. “But advertisements and signs keep getting stronger, as well as jewelry.”

The McConnells are always eager to see younger generations of shoppers come into the store. “The last couple years, we’ve had some young couples buying Victorian furniture who love the beauty and quality and durability and individualism — all those things. So that’s encouraging to us,” Bill says.

One such interaction with a young antiques fan took Instagram by storm. A woman bought her 11-year-old daughter a secretary desk from the couple, and her glee was caught on camera. To date, the video has had 38 million views and counting.

When asked about the secret to their longevity, McConnells said that high-quality dealers and treating customers respectfully have paved the way. Would they encourage young entrepreneurs to follow in their footsteps?

Music Box
This Polyphon music box from the late 1800s is the largest and
most beautiful table model the McConnells have handled in 35 years.

“If they’re wanting to really sell true antiques, it’s a tough market. There have been several really large malls open in Oklahoma City fairly recently. Still, they’re all vintage and gift items, so if someone’s really wanting to go into the antique business, I think it’d be tough,” Denny says. “We feel like the Lord led us into it. And so we’re really praying that God will show us what we’re supposed to do in the future.”

23rd Street Antique Mall is located at 3023 NW 23rd St, Oklahoma City, Oklahoma. It is open Monday through Saturday from 10 a.m. to 5:30 p.m. and may be reached at 405-947-3800 and antiques23@gmail.com.

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This measures approximately 12 in. H x 19 in. W x 8 in. D.

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Carlton Rocket Bubble Gum 1-Cent Dispenser

Q: I recently paid $10 for this gumball machine at a yard sale. I don’t know anything about it other than I like the way it looks. Can you tell me what I bought and if I got a good deal? Thanks! A: Congratulations. You found a very fun example of Space Age design, part […]

Stoked: Skateboards Catch New Wave of Collector Interest

By Kris Manty

Peanuts skateboard

Sometime around 1950, rebellious children began deconstructing their crate scooters by pulling the wooden crates off and leaving just the wheeled boards. Other kids improvised by taking wheels off roller skates and nailing them to the bottom of a wood plank.

1966 Batman skateboard

1966 Batman Skateboard

Regardless of their methods, these enterprising kids created a new hands-free toy they could tool around on that promised more fun. Enter the first skateboards.

From its origin as a crude, handmade toy, the skateboard has given rise today to a dynamic culture of art and sport, and it is an object that’s highly collectible. Whether vintage old-school examples or modern decks featuring paintings and drawings by artists like Jean-Michel Basquiat, Keith Haring, and Andy Warhol, skateboards are being collected by a growing number of enthusiasts as nostalgic relics, decorative objects, and even pieces of art. Some are also highly valuable and can sell for tens of thousands of dollars.

Design Evolution

Discovered by Santa Barbara Surfing Museum Curator James O’Mahoney at the Rose Bowl Flea Market 40 years ago,
the skate cart at right shows the ingenuity of skateboarders during the mid-20th century. The skate cart features
a single roller skate, a length of wood (as the footplate), and a wooden box and broom handle as the cab and
handlebar. It was common for kids to decorate the cab with bottle caps or paint; this one features a Jolly Roger and is named
“Zippy.” It sold for $756 at Bonhams. 

Though the first skateboards were somewhat primitive ad-hoc toys made by resourceful children, adults took notice and by the early 1960s, California manufacturers started producing upgraded models. One of the first standardized skateboard productions was by Val Surf, a surf shop in Hollywood, which hired the Chicago Roller Skate Company to produce sets of skate wheels that were attached to painted wooden boards.

These skateboards were particularly embraced by surfers, who used them for “sidewalk surfing” between riding ocean waves.

From there, skateboards evolved in sizes, styles, and shapes. Those made from the 1950s through the 1970s were shaped more like surfboards and constructed of solid wood, plastic, and sometimes metal. These boards, generally only six to seven inches wide, had clay or metal wheels originally designed for roller skating.

Skateboards produced in the late 1970s had modern urethane wheels rather than clay or metal ones. Maple plywood was the most popular material used for these boards, but many also had decks made of fiberglass, polypropylene, or other modern materials.

Shapes have varied, including the egg, the fish, and the pig, before reaching the modern Popsicle Stick form, which began being produced in the mid-1990s.

Collecting Vintage Skateboards

Skateboarding remains popular today and was added as an Olympic event in 2020. Many who are involved in it, whether riders or spectators, collect vintage skateboards, which have a great aesthetic and are a lot of fun to display in your home.

During the ’80s, skateboards were known for their creative artwork, and many top skateboarders owned their own companies or collaborated with others on board designs. Many of these were created by the sport’s earliest pros, like Stacy Peralta, who sold his board designs under the Powell Peralta brand name. These high-end boards can be hard to find, as they were produced in small quantities, but they are among the most popular with collectors because of their individual styles.

Raymond Pettibon skateboards

Raymond Pettibon came to prominence in the early ’80s in the Southern California
punk rock scene, designing posters and album covers. His 2003 skateboard art,
“No Title (The Bright Flatness),” sold for $5,670 at LAMA.

Some of the most sought-after and valuable vintage skateboards pursued by collectors are those made by Variflex in the late ’70s and early ’80s for pros like Stuart Singer and the decks made in the ’80s by Santa Cruz and Powell Peralta for renowned skateboarders, including Tony Hawk and Mike McGill, who invented the “McTwist” trick, an inverted 540-degree mute grab aerial.
Collectors consider a deck’s style, rarity, and condition to determine desirability. The most prized vintage skateboards are those that are still usable, though most collectors use them as decorative objects rather than ride them, as the wheel designs on old-school decks are harder to control than those on modern boards.

Many high-end boards made for famous skaters have recently been selling on eBay between $1,000 and $6,500, though others can be found in the $300 to $500 range. Other vintage skateboards have been selling for between $10 and $2,000, depending on the condition and whether they still have their original wheels.

Modern Decks As Art

Skateboards began their ascent to collectible design objects in 2000 after skateboard and streetwear brand Supreme commissioned American artist Ryan McGinness to do a deck and launched its Artists Series. Supreme continues to dominate the field, as does The Skateroom, an artist-designed skateboard manufacturer that has collaborated with some of the world’s most influential artists on skate art collections, including Jeff Koons and Yoshitomo Nara.

Ryan McGinness designed these pantone skateboards

Artist Ryan McGinness, known for his original and extensive vocabulary of graphic drawings,
grew up in the surf and skate culture of Virginia Beach, Va. His work is included in many public
collections, including the Museum of Modern Art in New York. A set of McGinness’ “Supreme Color
Formula Guide” skateboard decks with Pantone color schemes sold for $12,500 at Christie’s. (Photos: Christie’s)

The undersides of skateboards have been adorned since the 1970s to mark a skater’s individuality and brand identity. Still, McGinness’ piece was the first time a deck was designed by an artist who came from the realm of contemporary art museums and galleries rather than the skateboarding culture. Titled “Supreme Color Formula Guide,” the artwork is a supersized Pantone color scheme with vibes of Pop Art and makes full use of the deck’s oblong shape.

McGinness’s work was a departure from the dominant trends in skateboard deck art at the time, which were more cartoonish but still had elements of humor and youthfulness. A set of McGinness’ Supreme decks (at left) sold at Christie’s in 2020 for $12,500.

Since 2000, artist-designed skateboard decks have continued to straddle their origins as a countercultural sport and their growing status as a luxury good.

Today, The Skateroom creates two different collectible skate editions: single skateboards and triptychs. Triptychs are images printed over several decks, the final arrangement of which is like a modern altarpiece that references the devotional paintings of the Renaissance. The company sells single decks beginning at around $130 and triptychs at $435. However, these pieces can sell on the secondary market for thousands.

Each deck has the eight holes used to set skateboard wheels, so while they’re technically skateable, they are instead meant to hang on the wall, like a painting or a print. According to the company, most triptychs remain on the wall, while a third of the solo decks are used for skating.

Though skaters have mixed opinions on treating skateboards like paintings, for decades, this has been a fun way for people to collect art and engage with the sport. But as with any design object, the choice to use modern boards or vintage pieces is up to the collector.

Tony Hawk Powell Peralta's skateboardPowell Peralta’s 1980s decks are incredibly valuable, especially ones made for pros
like Tony Hawk. This Hawk deck, c. 1988-89, sold for $3,900 in July 2024 on eBay

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Come Fly with Me

French Jep tin windup “F.260” seaplane, goose lithograph, 19 in., $4,440.

Though toy airplanes are less commonly collected than other transportation toys, bidders worldwide were so enthusiastic about the two dozen offered at Milestone Auction’s Premier Schuco Toy Sale & More on Aug. 24 that they helped them soar thousands above their estimates.

The pre-World War II toy planes were part of the phenomenal legacy collection of lifelong toy enthusiast Winton “Wint” Johnson (1937-2022) of Minnesota. The 639 lots offered featured rare and desirable toys from around the world and one of the most complete German Schuco collections to come to market in years. In addition to airplanes, Johnson’s collection also included boats, cars, duck decoys, plush figures, prototypes, and more.

French tin-windup Hispano-Suiza “900” seaplaneFrench tin-windup Hispano-Suiza “900” seaplane, all original, 19 in., $9,225.

Planes flew high at the sale, snagging five of the top 10 lots sold, including the top three, and consistently smashed pre-sale estimates. The auction star was a French tin windup Hispano-Suiza “900” seaplane that sold for $9,225 against an estimate of $400 to $600. All original, the plane is finished in red, yellow, and French blue and has lithographed windowpanes.

Early toy aircraft appeared in the 1900s and were made of frail tinplate—sheet steel laminated with tin, soldered together, and painted. Others had wire frame wings covered with cloth. Innovative toy makers eventually began attaching tinplate components with tabs and slots, and lithographed printing replaced hand painting.

Unusual tin bi-wing friction seaplane with 16 in. wingspan, $4,674.

Though toy makers used artistic license to make their products appealing to consumers, even fanciful toy airplanes mirrored reality. The earliest examples were based on famous prototypes, like those of American aviation pioneers Orville and Wilbur Wright and French aviator Louis Blériot.

Fleischmann tin windup pontoon seaplaneScarce, all-original Fleischmann tin windup pontoon seaplane, 17 1/2 in., $7,072.

Designs changed with the times. Some aircraft in the 1920s were clunky, but the cast iron and pressed steel replicas from that decade were elegant and simple; 1930s models were streamlined.
New pre-war tin airplanes and other toys appeared on the market from Germany and Japan. Two German planes rounded out the top three lots: a scarce, all-original tin windup pontoon seaplane by Fleischmann landed at $7,072 (against a presale estimate of $2,000-$3,000), and a tin windup flapping wing seaplane with professionally added pontoons brought $6,600 ($300-$500 estimate).

Flapping wing airplane with pontoons.Tin windup flapping wing seaplane with professionally added pontoons, 13 in., $6,600.

By the 1930s, toy companies produced a variety of planes in all sizes. Nearly all of them were equipped with key-wound spring motors that let them travel on a smooth surface or in a circle when suspended from the ceiling. Some examples featured battery-operated navigation lights.

Some of the companies that produced tin toy planes popular with collectors were Alps Shoji, Arnold, Bandai, Gunthermann, Joustra, Lehmann, Marklin, Marx, Masudaya, Mettoy, Momoya, Rico, Schuco, Tipp Co, and Yonezawa.

Japanese tin windup Zero seaplane.

Japanese tin windup Zero seaplane, original condition, with a photocopy of original Japanese-language box art, 13 in., $3,698.

Other top sellers were an unusual Japanese tin bi-wing friction seaplane with the distinctive green and red shades typical of Japanese toys of the 1930s, which commanded $4,674 ($300-$500 estimate); an all-original cream, red, and black Gunthermann lithographed tin windup “1212” airplane with a set of added float pontoons that fetched $2,952 ($600- $800 estimate); and another Japanese rarity: a tin windup Zero seaplane in all-original condition and accompanied by a photocopy of the toy’s original Japanese-language box art that sold for $3,698—more than seven times the high estimate.

Original Gunthermann lithographed tin windup “1212” airplane, 20 in., $2,952

For more auction results, visit the Milestone Auctions website.

All photos are courtesy of Milestone Auctions.

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