Precious Moments Originals

The late Sam Butcher (1939-2024) created an enduring legacy with his art. One of the most beloved and successful American artists may not have been a household name for many, but his work is widely known. The late Sam Butcher created an enduring legacy of Precious Moments figurines that are fervently collected and grace millions […]

By the Book: Exploring the Appeal of Vintage Cookbooks

By Sara Jordan Heintz Food has long been associated with comfort, family, and home. Cookbooks of yesteryear remind readers of those cherished memories and traditions. But entwined with that nostalgia, you’ll also discover snapshots of the past—glimpses of popular culture, evolving ideas on nutrition and gender roles, and endless fads, some of which are coming […]

Small Wonder is a Success at Auction

A small sugar bowl, bought at an estate sale for less than $50, is a sweet success at auction.

A small and important sugar bowl that was recently discovered after it was bought as part of a box lot at an estate sale for less than $50 commanded the highest price of the more than 2,200 lots of 18th and 19th century Americana, ceramics, glass, lighting, silver, and textiles offered at Jeffrey S. Evans & Associates four-day sale June 19-22.

Coffman Salt Glazed Sugar BowlSalt-glazed decorated stoneware sugar bowl by
Andrew Coffman, 5 1/2 in. h overall, $34,800.

The salt-glazed decorated stoneware sugar bowl, 5 1/2 inches tall, garnered $34,800. Estimated between $10,000-$20,000, the bowl descended in a family that acquired it from notable Virginia potter Andrew Coffman (1795-1853) and is one of just three signed examples known. It had been part of the box lot bought for just $46.

Chippendale walnut bottle case/cellaret, two-piece construction, hinged
lid, c. 1795, 43 1/2 in. h, 33 1/2 in. by 18 1/2 in. top, $23,370.

The bowl was sold on the fourth day when many of the auction’s highest prices were achieved. Other antiques bidders pushed to big results included a Chippendale walnut bottle case or cellaret that sold for $22,800; a Federal inlaid mahogany valuables box, c. 1795, that fetched $20,400; an 1856 folk art oil-on-canvas portrait by John James Trumbull that brought $15,600: a carved and painted folk art bird tree in the Pennsylvania-German style by Frank Finney and featuring 24 different birds that sold for $14,760; and a carved, inlaid walnut desk and bookcase, attributed to John Shearer,c. 1800, that sold for $14,400.

Mary Barnes and Frank Finney Folk ArtLeft: Oil-on-canvas portrait of Mary C. Barnes by John James Trumbull Arnold, dated 1856, 36 in. by 24 1/4 in., $15,600.
Right: Carved and painted folk art bird tree by Frank Finney, featuring 24 different birds, 21st century, 23 in. h, $14,760.

Bidders were also enthusiastic about the Americana and folk art treasures offered from the Katherine “Kitty Sue” Pease collection that included a variety of carvings, fraktur-related drawings, carousel items, rare needlework, furniture, scrimshaw, canes and walking sticks, and much more.

American folk art carved and painted tobacco/cigar
store trade figure, 81 in. h, 24 in. w, $19,200.

The top lot of Pease’s collection was an American folk art carved and painted tobacco/cigar store trade figure from the late 19th century with an eagle headdress and wolf-skin robe that sold for $19,200. Another cigar store trade figure brought $6,875. These figures, popular symbols of the tobacco trade in the 19th and early 20th centuries, are valued by collectors for their striking visual appeal and the considerable skill of their carvers.

Pennsylvania Schwenkfelder folk art fraktur-style drawing,
watercolor on paper, c. 1845, 10 in. by 14 1/2 in., $18,000.

Other top-selling Pease items included an important Pennsylvania folk art fraktur-style watercolor-on-paper drawing featuring a row of townhouses under a garland of stylized flowers, strawberries, and a pair of distelfinks/lovebirds that fetched $18,000; an American or British carved nautical figurehead of a beautiful woman with stylized Classical attire that sold for $15,300; an American School portrait of a black cat from the late 19th or early 20th century that brought $12,300; and a couple of carved and painted carousel goats from the late 19th or early 20th century: one that sold for $4,200 and one for $3,750.

American folk art carved and painted carousel goat, attributed
to the shop of Gustav Dentzel, 59 in. h, 60 in. l, $4,200.

Carved carousel animals are some of the most whimsical and sought-after pieces of American folk art, and goats are desirable. Both are attributed to the Pennsylvania shop of Gustav Dentzel, considered America’s first carver of these starting in 1867. The appeal of carousel animals extends far beyond being fanciful art pieces; collectors are also drawn to them for the merry-go-round of nostalgia and memories they create.

Auction results for days one, two, three, and four can be viewed on the website.

Photos courtesy of Jeffrey S. Evans & Associates.

You may also like:

Carving Out a Place in History

Fraktur: Celebrating Family and Faith

Folk Art: By the People, For the People

#Whatsitwednesday

Be the first to guess the pictured item by leaving a comment below. If you have your own whatsit, our editors may include it in a future post. Please email editor@kovels.com and attach a clear picture, the size, and any markings. Hopefully, we will be able to identify it for our readers! It is approximately […]

Smoking Hot Gypsy Lamp is Quite Unique

Q: Hi Dr. Cavo: We are looking for an appraisal for a Gypsy woman smoking stand, light and lamp. This item has been in the family for many years, and we believe it to be between 80-100 years old, bought in Chicago. It is 42 1/2 inches tall, rests on a brass, bronze-looking pedestal, and weighs 22 pounds. All parts are original and in working order.

Thank you for your time.  -Dave

Gypsy Ashtray

A: Hi Dave: Your smoking stand is quite unique. I have seen this particular figure as a table-top piece as well as in the form of a stand like yours; however, it is rarely as complete as yours. The tray or the original beaded shade is often missing or replaced. The tray and the beautifully beaded, colorful shade are original to the piece. Some may consider the slag glass lamp in the base to be a bit excessive, but it adds splendidly to the overall appeal of this piece.
The figure holds a tray for ashes, which can be removed for cleaning. She is flanked by a pot for holding matches and a basket of sorts for cigars or cigarettes.
These figural pieces were made in Germany and Austria c. 1900-1920. I believe, based on the weight provided, that yours is spelter (white metal); as a bronze piece, this size would be much heavier. It is possible that the figure is bronze (the arms appear to have a bronze patina) while the base is spelter – which it seems to be. You can determine this by testing it with a magnet, which will stick to white metal but generally not to bronze. Whether or not a magnet sticks to it or not, it’s still very attractive.
The figure is cold painted, a technique using colorful enamel paints that was quite popular during the early 20th century, especially on bronze or spelter pieces originating in Austria.
This is the type of thing I would have bought, and my mother, who dealt in high-end art and antiques, would have said, “You need your head examined. ” She might have been correct because I am crazy about this piece. It is a style, however, that you either love or find ridiculous.
The table-top version of this piece (no stand, no lights) sells in the $250- $300 range. Yours has so much more to offer and is in such original, complete condition that I would appraise it at $450-$500 if it is spelter and up to $800 if it is bronze.
Our guest appraiser is Dr. Anthony Cavo, a certified appraiser of art and antiques and a contributing editor to Kovels Antique Trader. Cavo is also the author of Love Immortal: Antique Photographs and Stories of Dogs and Their People.
Do you have a question for Collector’s Gallery? Send your questions and photos via e-mail to ATNews@aimmedia.com. Please include as much pertinent information about your item as possible, including size, condition, history, and anything else that might help identify and value your item.

Soup No More? What Campbell’s Name Change Could Mean for Collectors

From the cheerful Campbell Kids dolls to the famous green bean casserole made for holiday feasts to Andy Warhol’s soup can paintings, Campbell’s Soup is a cultural icon. However, every company has to change things once in a while, and Campbell Soup Company recently announced that it intends to change its name to Campbell’s Company. […]

#Whatsitwednesday

Be the first to guess the pictured item by leaving a comment below. If you have your own whatsit, our editors may include it in a future post. Please email editor@kovels.com and attach a clear picture, the size, and any markings. Hopefully, we will be able to identify it for our readers! The dimensions are […]

#Whatsitwednesday

Be the first to guess the pictured item by leaving a comment below. If you have your own whatsit, our editors may include it in a future post. Please email editor@kovels.com and attach a clear picture, the size, and any markings. Hopefully, we will be able to identify it for our readers! The dimensions are […]

Cameo’s Close-Up

The cameo glass technique dates back to about 30 B.C. in ancient Rome, when it was used as an alternative to engraved vessels made of naturally layered semi-precious gemstones. Cameo glass is created by engraving, etching, or otherwise carving through fused layers of differently colored glass—traditionally opaque white over a darker colored background—and the Romans […]

Color is to the Eye what Music is to the Ear

Louis Comfort Tiffany, 1848-1933 The son of Charles Tiffany, the celebrated jeweler and founder of Tiffany & Co., Louis Comfort Tiffany was an artist, innovator, and pioneer of form and color. Born in New York City in 1848, he began his career as a painter in the late 1860s, studying under a series of masters. […]

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