Family Discovers Their Beautiful Norwegian Box Dates Back to 1844

Norwegian chest/box/casket 1888This decorative Norwegian folk art box is known as a “skrin.

Q: This is a Norwegian box we have had in our family for a long time. All we really know is a story about my great-great-grandmother, who had her baby clothes in it when she emigrated from Norway with her family. Her maiden name was Lillesand; there is a town in Norway by that name. When she emigrated, she did not speak English, so perhaps the immigration agent just gave them that last name because that was the town they were from. The initials on the chest are unknown also. They could be HMDH 1844 or AMDA 1844The box is 13 1/2 inches long, 8 inches wide, and 6 1/2 inches tall. The top of the bow, which extends over the body of the box, measures 14 inches long. Can you provide us with any information about this family keepsake? Thank you! 

A: I opened this email and just smiled. I have a weakness for wooden boxes and chests. This box, however, pushes all my box buttons. This box is a skrin, which in Norwegian translates to “casket,” but not in the modern sense of the word. The word “casket” was originally used to describe a decorative box, smaller than a chest, used for important documents. According to the Oxford English Dictionary, a casket, in early America, was a box for jewels.   

Norwegian chest/box/casket 1888 interior

This skrin is representative of classic Norwegian folk art typical of the Viksdalen region of Norway. Regarding the initials, I’m fairly certain they are not “HMD.” I believe they are “AMD” for the following reasons: the top of the first letter is closed – not something you would see in the letter “H” but more so because we see the date as “A 1844” where the “A” could stand for “anno,” which in Latin means “in the year” or the “A” could stand for “år,” which in Norwegian means “year.” 

The hinges are secured by rivets, which may cause confusion because we tend to think of rivets as a modern fastening method. Rivets have been used for thousands of years, especially in the Western world after 1830. The case, or body of the box, reveals wonderful hand-forged nails and dovetail construction. The dovetails have thin pins, which we see in cased pieces made before the mid-19th century; the scribe line is still visible. The decoration is in exceptional condition for a piece this age.  

1888 Norwegian box with hinges

Considering the beautiful hand-painted decorations, the construction, and the family provenance, I would value it in the $900 to $1,200 range and possibly more at a well-advertised, well-attended auction. 

As an aside, the name Lillesand is not used as a surname in Norway. Many, not all, Norwegian names have a patronymic origin and end in “sen/son” or “datter/dotter,” as in son or daughter. Hence, the name Hansen means son of Hans and Karlsdotter, the daughter of Karl. Almost all sources say that name changes by immigration officials are a myth. However, many years ago, I had a neighbor who emigrated to the U.S. from Italy. His surname was Pharoh. When I asked, he told me his actual family name was Ferro, but it was written as Pharoh at Ellis Island.

So much for myths. 

Our guest appraiser is Dr. Anthony Cavo, a certified appraiser of art and antiques and a contributing editor to Kovels Antique Trader. Cavo is also the author of Love Immortal: Antique Photographs and Stories of Dogs and Their People.

Small Wonder is a Success at Auction

A small sugar bowl, bought at an estate sale for less than $50, is a sweet success at auction.

A small and important sugar bowl that was recently discovered after it was bought as part of a box lot at an estate sale for less than $50 commanded the highest price of the more than 2,200 lots of 18th and 19th century Americana, ceramics, glass, lighting, silver, and textiles offered at Jeffrey S. Evans & Associates four-day sale June 19-22.

Coffman Salt Glazed Sugar BowlSalt-glazed decorated stoneware sugar bowl by
Andrew Coffman, 5 1/2 in. h overall, $34,800.

The salt-glazed decorated stoneware sugar bowl, 5 1/2 inches tall, garnered $34,800. Estimated between $10,000-$20,000, the bowl descended in a family that acquired it from notable Virginia potter Andrew Coffman (1795-1853) and is one of just three signed examples known. It had been part of the box lot bought for just $46.

Chippendale walnut bottle case/cellaret, two-piece construction, hinged
lid, c. 1795, 43 1/2 in. h, 33 1/2 in. by 18 1/2 in. top, $23,370.

The bowl was sold on the fourth day when many of the auction’s highest prices were achieved. Other antiques bidders pushed to big results included a Chippendale walnut bottle case or cellaret that sold for $22,800; a Federal inlaid mahogany valuables box, c. 1795, that fetched $20,400; an 1856 folk art oil-on-canvas portrait by John James Trumbull that brought $15,600: a carved and painted folk art bird tree in the Pennsylvania-German style by Frank Finney and featuring 24 different birds that sold for $14,760; and a carved, inlaid walnut desk and bookcase, attributed to John Shearer,c. 1800, that sold for $14,400.

Mary Barnes and Frank Finney Folk ArtLeft: Oil-on-canvas portrait of Mary C. Barnes by John James Trumbull Arnold, dated 1856, 36 in. by 24 1/4 in., $15,600.
Right: Carved and painted folk art bird tree by Frank Finney, featuring 24 different birds, 21st century, 23 in. h, $14,760.

Bidders were also enthusiastic about the Americana and folk art treasures offered from the Katherine “Kitty Sue” Pease collection that included a variety of carvings, fraktur-related drawings, carousel items, rare needlework, furniture, scrimshaw, canes and walking sticks, and much more.

American folk art carved and painted tobacco/cigar
store trade figure, 81 in. h, 24 in. w, $19,200.

The top lot of Pease’s collection was an American folk art carved and painted tobacco/cigar store trade figure from the late 19th century with an eagle headdress and wolf-skin robe that sold for $19,200. Another cigar store trade figure brought $6,875. These figures, popular symbols of the tobacco trade in the 19th and early 20th centuries, are valued by collectors for their striking visual appeal and the considerable skill of their carvers.

Pennsylvania Schwenkfelder folk art fraktur-style drawing,
watercolor on paper, c. 1845, 10 in. by 14 1/2 in., $18,000.

Other top-selling Pease items included an important Pennsylvania folk art fraktur-style watercolor-on-paper drawing featuring a row of townhouses under a garland of stylized flowers, strawberries, and a pair of distelfinks/lovebirds that fetched $18,000; an American or British carved nautical figurehead of a beautiful woman with stylized Classical attire that sold for $15,300; an American School portrait of a black cat from the late 19th or early 20th century that brought $12,300; and a couple of carved and painted carousel goats from the late 19th or early 20th century: one that sold for $4,200 and one for $3,750.

American folk art carved and painted carousel goat, attributed
to the shop of Gustav Dentzel, 59 in. h, 60 in. l, $4,200.

Carved carousel animals are some of the most whimsical and sought-after pieces of American folk art, and goats are desirable. Both are attributed to the Pennsylvania shop of Gustav Dentzel, considered America’s first carver of these starting in 1867. The appeal of carousel animals extends far beyond being fanciful art pieces; collectors are also drawn to them for the merry-go-round of nostalgia and memories they create.

Auction results for days one, two, three, and four can be viewed on the website.

Photos courtesy of Jeffrey S. Evans & Associates.

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